National authorities collect or intend to collect the data directly from the on-demand service providers, generally on the basis of a questionnaire. One national report indicated that this questionnaire was established in cooperation with a self-regulatory body representing on-demand services. The average relative proportion of recent European works by independent producers for all reported channels was As far as some of them already started in or even earlier almost all of these restricted themselves to the distribution of their own productions, so that in any case these programmes were of European origin. The compliance rate was The words ‘where practicable and by appropriate means’, when analysed, imply that this is not a binding norm.
In , out of 79 reported channels, 28 channels did not achieve the minimum proportion under Article 17 of the Directive. Investments declared in respect of the production of cinematographic works have been added here. Five services were reported in The broadcaster complied with the required proportion during the other quarters of the year. Given the emergence of channels with a very low audience share which might lack the necessary resources to provide statistical data and the Commission’s policy aiming to avoid overburdening small companies with administrative work, the Commission services have set up a common framework enabling the individual exemption of very small channels from the reporting obligation. For , out of 58 reported channels, 6 channels did not achieve the majority proportion specified in Article 16 of the Directive. Every evening at 8: In particular the limited supply of European children’s programmes was pointed out.
Of the total of 20 identified channels, five channels were exempt and two channels broadcasting in a non-EU language were not covered by Articles 16 and 17 of the AVMS Directive in and The data declared under the ‘EW’ quota are calculated by using the definition of a ‘European work’ in the Audiovisual Media Services Directive. On-demand services also used some prominence tools – in particular homepage, identified origin, trailers and promotions – although there is no legal obligation to do so under the Spanish legislation see tables below.
The compliance rate, in terms of number of channels, was It is obtained by determining the percentage of published promotions concerning European works, either on own user interface or other media.
Satch average proportion of repkay European works by independent producers was The works in question are simply therefore ‘new’ works produced during the year and not ‘recent’ works.
The Italian authority Agicom will initiate the necessary sanctioning proceedings against channels which have not complied with the programming obligations. Of the 23 services declared on 16 Decemberit is likely that only a few services may be regarded as on-demand media services, but no decision had been taken at the time of drawing up the Report see comments below.
With existing budgetary constraints TG4 does not envisage any major change in content source. Retrieved from ” https: The compliance rate was No other measures were watcch since the Austrian legislation applying to commercial on-demand services only entered into force in October and the most on-demand services launched a professional offer only as of see comments below.
These measures vary from one Member State to another. The overall result is a 0.
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In Cyprus the national legislation only allowed repplay of channels broadcasting via analogue technology. During the reference period, 15 channels were exempted from their reporting obligation on the basis of their very low audience share below 0. The fine was therefore not imposed. Forout of 24 reported channels, 22 achieved the majority proportion specified in Article 16 of the Directive, while two channels did not 4-es csatorna and Ozone Network. The compliance rate was It drew the Board’s attention to progress made in in comparison to the previous year: Deplay one Video-on-demand service was reported in Forout of 53 reported channels, 7 channels did not achieve the minimum proportion under Article 17 of the Directive.
The Board noted that overall the service had complied with the obligation. However, the proportion of independent works broadcast at EU level remains well above the percentage set out in Article The commentary on this Article gives a non-exhaustive list of examples of tools for emphasis such as: The IP data inserted in the table are related to the investments.
Since then the number of declarations of assumed on-demand media services has continued to increase. In some cases only a list of on-demand services was provided with no data on the application of Article Suomi TV was launched in December The concept of recent works does not exist in the French regulations.
Forout of 12 reported channels, ten achieved the minimum proportion under Article 17 of the Directive, while two channels Pro Sieben Austria and SAT. The report indicates wach the Hungarian media authority until 5th September “ORTT” after this date “NMHH” granted partial exemptions to 8 channels in and regarding the achievement of the European works proportion.
French TV channel BFM sued by victims’ families over coverage that allegedly put ‘lives of hostages in danger ‘ “.
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The channel Current Italie has not been broadcast since August and the broadcaster, which continues to use Current TV, is no longer able to provide the required data.
The compliance rate was For reasons of clarification we would also point to recital 27 of the AVMSD, according to which, for television broadcasting or television programmes which are also offered as on-demand audiovisual media services by the same replau service provider, the requirements of this Directive should be deemed to be met by the fulfilment of replzy requirements applicable to the television broadcast.
All 11 reported channels broadcast an average of The broadcaster complied with the required proportion during the other quarters of the year. It deduced from this that ‘programmes that could meet the definition of the quota and comply with AB4’s editorial policy are rare, and therefore expensive.