MARO CHARITRA MOVIE CLIMAX

Posted by Abhilash Mohan. Hope you follow it. The lovers of different backgrounds get united only in death while a widow will not re-marry. Though extremely ordinary in looks, she scores with her performance — in the more emotional and dramatic sequences she is simply superb. Saritha makes a stunning debut. This site uses Akismet to reduce spam. This and their agreement to separate for a year to prove the strength of their love fired up the imagination of youngsters, in particular, young lovers of Tamil Nadu and Andhra Pradesh. He tries to unite Shilpa and Bharathi, but his ploy backfires.

You know Swapna would never take this joker seriously. The trajectory of Bharathi’s and Shilpa’s love story is closely intertwined with the moods of the sea. The old man suggests kadhal love as the panacea for Bharathi’s problems. Though extremely ordinary in looks, she scores with her performance — in the more emotional and dramatic sequences she is simply superb. Saritha makes a stunning debut. The climax has shades of his Maro charitra Ek Duje ke liye in Hindi and Punnagai mannan, where the lovers are destined to end in a watery grave. Perhaps, my take on this undoubtedly classic film is likely a tad unfair. After all love had to overcome its obstacles and win.

There are glitches in the film too, no doubt.

An interesting situation could have been created with him being more flesh and blood as was done in the angle with Sandhya and Balu. He tries to unite Shilpa and Bharathi, but his ploy backfires. His politician jaro opponents exploit an explosive situation the lad gets into, and make him a pawn in their wily games.

Balachander’s films rarely have a feel-good denouement, and this one is no different. Brand names raise sky-high expectations but conversely, when they fail to deliver the goods, the disappointment is similarly gigantic.

‘Maro Charitra’ is a bad remake – News18

Prakash Raj as ‘Vidhi’, in his strange costume, only manages to look like Mandrake. This site uses Akismet to reduce spam. The reluctance of the cljmax to reveal their true feelings at the right time lead to disastrous consequences — a plot point witnessed in films ranging from Oru thalai ragam to some of Balachander’s own hits, like Sollathaan Ninnakkiren.

She wants to achieve her own identity and make something out of her life. The main argument scene between the lovers and the parents done as a series of freeze frames was also regarded as being amazingly innovative in its time but looks dated today.

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Many felt after all the lovers had gone through, a happy ending was needed. Another character representing ‘Vidhi’ fate also enters the scene.

Madhavi brings great depth and dignity to her role as the widow who falls in love with Balu and who eventually does the charifra thing, sacrificing her love.

Though extremely ordinary in movoe, she scores with her performance — in the more emotional and dramatic sequences she is simply superb. What do you think about the story?

In a sense, Poi is just another love story fed on lies, half-truths and camouflage. You know Swapna would never take this joker seriously. This and their agreement to separate for a year to prove the strength of their love fired up the imagination of youngsters, in particular, young lovers of Tamil Nadu and Andhra Pradesh.

Posted by Abhilash Mohan. Hope you follow it. The attempts to trace Bharathi when his doting mother passes away appear half-hearted, and it is strange that he is never intimated about the tragedy; the reason given for it is totally unconvincing. The old man charitfa kadhal love as the panacea for Bharathi’s problems. There, he falls in love with Shilpa Vimala. Perhaps, my take on this undoubtedly classic film c,imax likely a tad unfair.

The central performances are spot on. The screenplay is well-worked out and events and characters well-linked making sure it flows smoothly enough through to its tragic conclusion. The former Miss India Australia is wooden, and totally miscast in the film.

Movie reviews Dear Rediff, Here is a sincere advice. By contrast, Malayalam actress Geethu Mohandas plays an important cameo. Please mention the language, in which the movie is made, while you are reviewing it.

Which just goes on to prove that a classic is indeed a classic and is best left untampered! Cinematographer Viswanath deserves kudos; his camera has captivated the breathtaking beauty of the sea, the verdant countryside and coconut groves of Sri Lanka with precision. Of course, all hell breaks loose when their romance is discovered. Another great sequence is where she takes her opposing mother to those spots where she has the fondest memories of her romance with Balu.

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Balachander as the old man shows the fire is still burning bright in him. P oiveteran director K Balachander’s th film, is different from the current masala; for a septugenarian director to handle a youthful theme without any box-office trappings is laudable. Another character Roshan, Shilpa’s childhood classmate, enters the fray. On the technical side, the making has not held up well and the film reminds you of those archaic 70s techniques.

On the good side, there are quaint Balachander touches throughout the film: The trajectory of Bharathi’s and Shilpa’s love story is closely intertwined with the moods of the sea. One wishes she could have been styled better though — she simply cannot carry off western clothes. It is hard to believe this is her first film. After all love had to overcome its obstacles and win. The lovers of different backgrounds get united only in death while a widow will not re-marry.

There he meets a widow, Sandhya Madhaviwho teaches him dance and Telugu poetry. The two are like the vidushaka in Sanskrit dramas or the chorus in Greek and Shakespearean plays. There are, however, too many stumbles in the narration.

Poi: Disappointing

Their parents, actually her mother and his father, are at constant loggerheads. For instance, once Bharathi reaches Colombo, he completely forgets about seeking a job or building his career; apparently such mundane considerations are unimportant when one is in love. Telugu, Romance, Black and White. Telugu actor Uday Kiran, who makes his debut in Tamil with this film, is adequate in emotion-charged scenes, but otherwise has a long way to go.

Maro Charithra

Kamban soon realizes his folly and, thanks to some sound advice by his friends, flies to Sri Lanka mrao a means of wriggling out of the situation. Balachander has an affinity for the sea, and it is a character in Poi also. Learn how your comment data is processed. Ur review is truly mean and unfair to the legend director.