IFFR EXPLODING CINEMA

They also depict how rules can be broken using their own, unique imagery. From on he presented many solo exhibitions for instance in Zurich, Luxembourg and Tel Aviv and group exhibitions for instance The Venice Biennale. A fictional letter and reflections by British cultural critics and activists clarify the complex fabric of the city. Looking to the future keeps hope alive, but the present always has roots in the past. Filmmakers go travelling with their cameras incorporating saturated colours, flicker effects, dust and other imperfections into their visual language. Works mainly as commercial film-maker. Minutes, Myth and Treason Mythologies of resistance meet sci-fi dystopias and the realities of occupation and war.

Works mainly as commercial film-maker. Instead of giving her a real role in a story, he presents her in this installation as an empty shell, a character without psychology that appeals to artists to blow life into her with their imagination. See all the films. Brand new films from all around the world are presented to enthusiastic audiences and a jury of three international film professionals. Looking to the future keeps hope alive, but the present always has roots in the past. Since , he has made about 70 films in a variety of genres, usually with a social or political angle. Twilight City Shrouded in dusk, a meditative glimpse of London in the Thatcher era.

Stop fighting and let love rule in all its shapes and guises! Editing the stills as sequences one after the other, with rapid switches, he seeks the tension between still photographic images ‘memory’ and moving film or video images that evoke the experience of a topical event.

Rotterdam International Film Festival

Parreno and Gonzalez-Foerster added their own Ann Lee interpretations to this. Let Love Rule A loving manifesto aimed at turning every nation, community and individual into a State of Love.

  WORLDFREE4U CHHELLO DIVAS MOVIE

Looking to the future keeps hope alive, but epxloding present always has roots in the past.

Ich glaubte, Gefangene zu sehen Harun Farocki IFFR In this work, the maker explodinf the social bond between the one holding the weapon and the one who uses a camera. Most titles in this compilation programme will be shown for the first time in a film festival.

Pan-African Cinema Today (PACT)

From on he presented many solo exhibitions for instance in Zurich, Luxembourg and Tel Aviv and group exhibitions for instance The Venice Biennale. See all the films. A fictional letter and reflections by British cultural critics and activists clarify the complex fabric of the city.

Filmmakers go travelling with their cameras incorporating saturated colours, flicker effects, dust and other imperfections into their visual language. Instead of giving her a real role in a story, he presents her in this installation as an empty shell, a character without psychology that appeals to artists to blow life into her with their imagination.

Preiss selected for this work several stills from amateur video fragments. Pierre Huyghe is one of several artists who made installations and films as partial ‘identical’ remakes or in reference to often well known films in the late cihema.

Shown on a variety of formats from 3D to 35mm film, it is a celebration of film and video in all their forms. Works mainly as commercial film-maker. While Preiss is a successful commercial film-maker, this work emerges from explodinb fascination for the home-movie and amateur film, because of its authenticity and truth.

Twilight City Shrouded in dusk, a meditative glimpse of London in the Thatcher era.

  SOLING SHOCKER FULL MOVIE

In this CD-ROM converted to video about the barren and disorientated desert landscape around the Dead Sea, Tzaig re-placed the linear narrative structure by sequences of images that develop on a three-dimensional grid.

Freestyle Experimental space for idiosyncratic artists who make their own rules. Ruptured Chronologies A filmic political timeline that intersects with the tumultuous developments from the First Intifada and the Oslo Accords to the uncertain present and a speculative future.

In this work, the maker emphasises the social bond between the one holding the weapon and the one who uses a camera.

√Čv√©nements | Africultures

Afro Future Historical overviews are often painful for people of colour. Brand new films from all around the world are presented to enthusiastic audiences and a jury of three international film professionals.

Sincehe has made about 70 films in a variety of genres, usually with a social or political angle. Pierre Huyghe took a prefabricated jffr, named Ann-Lee, from a sales catalogue for makers of manga films. Minutes, Myth and Treason Mythologies of resistance meet sci-fi dystopias and the realities of occupation and war. The video is made up of images from a security camera in the exercise yard of a prison.

They also depict how rules can be broken using their own, unique imagery. The Rotterdam festival has often shown his work, either alone or in cooperation with others.