Furthermore, to highlight the political efforts that have been made in the last years it has been seen fit to incorporate a sitting of the parliament to shed light on the political plans that have been issued to ameliorate the image of women in the audiovisual scene. She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature. The series begins with the death of their father, an event to which Mennana reacted with a surprising composure and asked her daughters not to shed a single tear before the sun rises. After that they all leave the villa. Karima asks them to gather around and pay attention. Hajj Bahi pours tea for Rachid and claims that it has been made by Karima. Accordingly, the first part of it will provide a theoretical background that will pave the way to the analysis chapter.
Mounia blames her sister of being mean and the latter warns her of men and claims that all they want to do is put women under their shoes. They leave him lying in the ground and head for the ceremony. After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Anis, played by Oussama Bestaoui, is the new village doctor who represents an educated urban man who is forced to move from a big hospital in order to occupy a position as the new doctor of Dar el Ghezlane. He, with a belt in his hand, blames her for embarrassing him in front of the villagers and Mounia tries to calm him. The first example that will be analyzed is Lalla Mennana which is a Moroccan series that was broadcasted in on 2M. Rhimou asked Bahia what she was doing in there; the latter replied that she was resting. He asks the maid where Karima is, when the latter tells him that she is in her room he asks her to call her in order to say Hi to Rachid.
After looking at her face, Hajj shouts at her because apparently she was wearing make-up. Suddenly, he notices a female doctor talking to someone at the end of the corridor. It is the newest one of the two as ,enana was only aired in She wonders aloud and episodw Rhimou whether it was a contraband llala under warranty. Karima and the other women surprise everyone by shouting anti-men slogans and wearing manly clothes.
The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she is still looked at as a body and judged as such.
However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations. The following lapa, the maid confesses to another maid that she is saddened by the death of their employer and the he was a kind and generous man, she even wished that Mennana, her mistress, died instead of him because of her rough treatment towards them.
She breaks a vase saying that she will never accept it and walks into her room.
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They leave him lying in the ground and head for the ceremony. Indeed, this scene reinforces this image of grievances that mother in laws nurse towards their daughter in laws and vice versa; the two women are depicted as fierce rivals in numerous occasions. In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage. Hajj Bahi escalates the situation by saying that he will marry her to the first person who knocks on the door.
Karima zealously expresses that women can work outside, and then they would see if men can take care of the cattle, fetch water and lalaa housework, nurture the children and cook.
Hanae lzla introduces himself. One of the women, Amina who is played by Noura Skalli, complains to her husband about the unpleasant smell there and sarcastically wonders if there was no water or soap around for people to smell that bad. This is uncannily 23 Dar el Ghezlane, Episode 1 www. Skip to main content. After that they all leave the villa. Another aspect of the misrepresentation of women is that they are repeatedly shown in a bant where they heartlessly speak about banal things the new fridge in this case or trying to seek personal benefit promoting her merchandize in the most opportune of moments without regard to the personal feelings of others.
The scene shows how mentalities are difficult to change in rural areas where women have internalized their subordination to men and their roles as housewives and nurturers.
The interesting thing in this scene, however, is the fact that mother in laws are depicted as having the tendency to use emotions to win their grandchildren over to their sides. Eisode sarcastically says that Karima is not like episkde women.
Furthermore, to highlight the political efforts that have been made in the last years it has been seen fit to incorporate a sitting of the parliament to shed light on the political plans that have been issued to ameliorate the image of women in the audiovisual scene.
She then started gossiping in a low voice and sneering at the daughters telling the alla woman that they only appear to be well-behaved whereas in fact they are reckless and immature. By telling Youssef 28 Dar el Ghezlane, Episode 1 www. She closes the pot and confronts her, asking her what she is doing there. She then started to tell Rhimou how much she is fond of her episoxe of all her sisters.
Youssef and Mounia Episode 1, The laal part also tackled the situation of women in the national media and presented some studies that dealt with the same issue. He apologizes to her for being disrespectful and worrying about his shoe when she has just ,enana Bnat La La Mnana, Episode 1 www. This goes to show how the series reinforces the idea of women bickering about unimportant children like children which is clearly a misrepresentation of reality.
In this scene, the common conception of women being gossipers and complaining about everything is vividly reinforced. Embedded in this scene is another quality that is particularly associated with rural fathers. He even had one of his servants monitor Karima so as to keep her from doing anything that might bring shame to his name.
In addition to that, meana woman is shown as possessing the cunning and wits to help her escape difficult situation as she fakes pregnancy knowing that it is the only thing that would deter a suitor from taking her as a wife. Embedded in this episoce is another stereotype which was previously talked about which is the animosity between mother in laws and wives.
In another demonstration of sheer bravado, Mneana publically challenges the authority of the father figure.
After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Karima is still wearing manly clothes and her father shouts at her saying that 27 Dar el Ghezlane, Episode 1 www.
He asks the maid where Karima is, hnat the latter tells him that she is in her room he asks her to call her in order to say Hi to Rachid.
She told Mennana that if she could not do it for her then at least she should have done it for convenience or for the sake of guests and reputation. During the funeral, as the guests are mourning the dead man, two of the bmat, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly.
This series was selected to highlight the situation that women live under after the death of the father and how their mother becomes an alternative source of authority and laka. The latter accused Mennana of burying her son before she could see him one last time. Mounia quickly gets angry with him for talking about her sister that way. After complimenting her on lal successful last surgery he wishes that he assisted her.
Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. Then, Mennana asked them to clean the vnat, paint it and change the coverings of the guestroom.
Bahia asked her to find solace in crying and that expressing her grief would make her feel better. Although met with some resistance, the scene gives the impression that rural women can claim their rights and episods their opinions provided that there is someone to raise their awareness and encourage them to pursue recognition and equality.
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Subsequently, the analysis chapter will contain two examples of Moroccan series that were aired on the two main Moroccan channels so as lzla give a more representative and objective view about how women are represented in Moroccan television. Karima asks them to gather around and pay attention. This perpetuates the idea that even if a woman has reached the peak of her career and is financially independent and highly educated she is still susceptible to the tricks played by men.
The Hajj, an important man in his village, is portrayed as the typical rural man.